“This lecture is the story of Le Corbusier’s relentless obsession with E.1027, a house by Eileen Gray, which turned the house into a battlefield in a tense power struggle that would only end with his death at sea, in front of that very house. It is also the story of my own obsession with this story, with this obsession. An obsession with an obsession then, that in my case, goes back three decades. Some people thought that I was exaggerating in my earlier reading of this story. I don’t mind exaggerating. Sometimes you need to exaggerate to make a point. But I went back to the Fondation Le Corbusier in Paris and dug a little bit deeper into the archives. What I discovered demonstrates that rather than exaggerating. I hadn’t gone far enough. In the meantime, for those unfamiliar with the story I will start from the beginning.” - Beatriz Colomina
PRACTICAL INFO : 19.06.24 | 19:00 CIVA
Rue de l'Ermitage 55, 1050 Bruxelles EN
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BATTLELINES: E. 1027
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“This lecture is the story of Le Corbusier’s relentless obsession with E.1027, a house by Eileen Gray, which turned the house into a battlefield in a tense power struggle that would only end with his death at sea, in front of that very house. It is also the story of my own obsession with this story, with this obsession. An obsession with an obsession then, that in my case, goes back three decades. Some people thought that I was exaggerating in my earlier reading of this story. I don’t mind exaggerating. Sometimes you need to exaggerate to make a point. But I went back to the Fondation Le Corbusier in Paris and dug a little bit deeper into the archives. What I discovered demonstrates that rather than exaggerating. I hadn’t gone far enough. In the meantime, for those unfamiliar with the story I will start from the beginning.” - Beatriz Colomina
PRACTICAL INFO : 19.06.24 | 19:00 CIVA
Rue de l'Ermitage 55, 1050 Bruxelles EN
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BATTLELINES: E. 1027
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“This lecture is the story of Le Corbusier’s relentless obsession with E.1027, a house by Eileen Gray, which turned the house into a battlefield in a tense power struggle that would only end with his death at sea, in front of that very house. It is also the story of my own obsession with this story, with this obsession. An obsession with an obsession then, that in my case, goes back three decades. Some people thought that I was exaggerating in my earlier reading of this story. I don’t mind exaggerating. Sometimes you need to exaggerate to make a point. But I went back to the Fondation Le Corbusier in Paris and dug a little bit deeper into the archives. What I discovered demonstrates that rather than exaggerating. I hadn’t gone far enough. In the meantime, for those unfamiliar with the story I will start from the beginning.” - Beatriz Colomina
PRACTICAL INFO : 19.06.24 | 19:00 CIVA
Rue de l'Ermitage 55, 1050 Bruxelles EN
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